Bloomsbury Academic, 2022
33 1/3, Bloomsbury, 2024
Editor, forthcoming
Essay for The Man Who Fell to Earth, 50th anniversary 4K collector's edition, StudioCanal, October 2026
Foreword to Karl Bartos' autobiography, The Sound of the Machine: My Life in Kraftwerk and Beyond, Omnibus Remastered, 2026
"Laying the Blueprint", in The Rolling Stones: Rare and Unseen, photographs by Gered Mankowitz, Hachette, 2024
"Listening for new life in the live archive", liner notes for Andrew Poppy, Ark Hive of a Live, False Walls, 2023
If you're commissioning: I'm open to liner notes, booklet essays and anniversary editions. I write mostly on pop musicology and history, women in music and in production, contemporary art/electronic musics.
I have written for The Wire since 2020: interviews, features, artist profiles, columns and reviews.
Irmin Schmidt — Issue 507, May 2026
Karl Bartos — Issue 485, July 2024
Big Joanie — Issue 465, November 2022
Coby Sey and Tirzah — Issue 463, September 2022
Hilary Woods, "Finding Her Voice" — Issue 503/504, January/February 2026
Clarissa Connelly — Issue 482, April 2024
London Clay — Issue 505, March 2026
Miaux — Issue 486, August 2024
Thomas Ignatius — Issue 479/480, January/February 2024
The Fallen Women, "Dead Beat Descendants" — Issue 472, June 2023
Andrew Poppy, "Fluid Dynamics" — Issue 465, November 2022
Faitiche, Unlimited Editions — Issue 464, October 2022
Etudes, Unofficial Channels — Issue 446, April 2021
"Unlimited Editions: Faitiche", The Wire, 2022 Seven tracks from Jan Jelinek's label, chosen and annotated, accompanying the print piece in Issue 464.
"The Sound Worlds of Vangelis", Reverb, 2022
"Kate Bush's Hounds Of Love album was revolutionary - and exploded the myth of the tortured artist", The Conversation, 2024
"Why Kate Bush needs the female gaze", Bloomsbury, 2024
"Aretha Franklin: sublime soul diva whose voice inspired the civil rights movement", The Conversation, 2018
Close readings of individual Bowie songs, most adapted from Blackstar Theory. "No Plan" (2026) is the first written independently of the book: Bowie Track Analyses
The emancipating power of samplers & sequencers in the work of Kate Bush during the early-to-mid 80s
Chapters, articles and book reviews. I am an associate editor of the Journal of Popular Music Studies. More information can be found on my Kingston profile, as well as Google Scholar.
© Leah Kardos