2018
Glowing Pains: Music From The Gardens Between
28/09/18 12:53 Filed under: New Music | Collaboration
I was chuffed to be asked lovely musical friend and compatriot Tim Shiel to contribute some sonic and instrumental textures to his soundtrack for indie game 'The Gardens Between'. Now Tim has created an album's worth of music that incorporates elements of the soundtrack. You can listen to a preview and pre-order it in bandcamp.
Inspired by his work on the highly anticipated indie game The Gardens Between, Tim Shiel presents an album of rich ambient music that resonates with the game's core themes of time, memory and childhood.
Glowing Pains seamlessly weaves together elements from the game's otherworldly score with improvised contributions from many of Tim's closest musical friends from around the world, to create an album that is as gorgeous and as moving as the game that inspired it.
All music made by Tim Shiel with friends, in order of appearance:
Luke Howard: piano and drones on 1, 2, 4, 5, 7, 8, 11, 12
Wally de Backer: ondioline on 2, 4, 5, 7, 11
Biddy Connor: voice on 2, reverse viola on 9
Matt Ridgway: a bit of noise on 2, moog bass on 3
Eric J Dubowsky: voice on 1, 2
Andrew Phillips: synth on 3
Jacob Diamond: voice on 3
KAIAR: voice on 3
Eli Crews: Steiner EVI on 4, 5, 7
Liam McGorry: trumpet on 5
researcher: voice and production on 6
Leah Kardos: piano and synth on 7
mara: sounds and voice on 7
Rohan Long: upright bass and field recording on 9
Mid Hike: production on 10
Becki Whitton: reverse voice on 10
Lonelyspeck: voice and guitar on 12 -----
Women in Music - Leeds Music Hub, 14/10/18
28/09/18 12:47 Filed under: News
This is going to be a great event, come if you can!
I'll be chairing the Engineering and Production Panel in the early afternoon featuring Lauren Deakin Davies, Jeanne Albin and Aubrey Whitfield. There'll also be industry-specific talks, live performances, workshops, stalls, drinks and a screening of the film "So, which band is your boyfriend in?"
For more info, check out the Facebook event page.
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I'll be chairing the Engineering and Production Panel in the early afternoon featuring Lauren Deakin Davies, Jeanne Albin and Aubrey Whitfield. There'll also be industry-specific talks, live performances, workshops, stalls, drinks and a screening of the film "So, which band is your boyfriend in?"
For more info, check out the Facebook event page.
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Making Room for 21st Century Musicianship in Higher Education
I was invited to respond to the Mayday Group's Action Ideal VIII ("We commit to understanding the wide range of possibilities and the limitations that technology and media offer music and music learning…"), now published in the latest issue of the Action, Theory, & Criticism for Music Education journal.
Click here to read my paper on Making Room for 21st Century Musicianship in Higher Education, which shares my experiences and perspectives relating to contemporary Post-digital aesthetics in music creation, performance and production, and the development of new, practice-focussed music technology curriculum at Kingston University.
Abstract: Having been asked to respond to Action Ideal VIII by the Mayday Group, concerning technology and its impacts on music education, what follows are some observations and reflections from my experiences teaching undergraduate music and music technology degrees in the UK. I put forward the idea that Post-Digital music aesthetics reflect an emergent sensibility in contemporary music cultures, and this represents an opportunity for music educators to reconfigure and strengthen their pedagogical approaches. By recognizing the legitimacy of new and varied forms of musicianship, and acknowledging the ways in which our subject area continues to grow in its range of practices and necessary literacies, strategies can be developed to support a music student experience that is cohesive, inclusive, hybridized, meaningful and useful.
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Click here to read my paper on Making Room for 21st Century Musicianship in Higher Education, which shares my experiences and perspectives relating to contemporary Post-digital aesthetics in music creation, performance and production, and the development of new, practice-focussed music technology curriculum at Kingston University.
Abstract: Having been asked to respond to Action Ideal VIII by the Mayday Group, concerning technology and its impacts on music education, what follows are some observations and reflections from my experiences teaching undergraduate music and music technology degrees in the UK. I put forward the idea that Post-Digital music aesthetics reflect an emergent sensibility in contemporary music cultures, and this represents an opportunity for music educators to reconfigure and strengthen their pedagogical approaches. By recognizing the legitimacy of new and varied forms of musicianship, and acknowledging the ways in which our subject area continues to grow in its range of practices and necessary literacies, strategies can be developed to support a music student experience that is cohesive, inclusive, hybridized, meaningful and useful.
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I have the coolest day job [part 1]
03/03/18 13:45 Filed under: Work
Brits 2018: Why Everyone Loves Ed Sheeran's The Shape Of You
21/02/18 13:36 Filed under: Writing
I wrote a thing for The Conversation ahead of this week's Brit Awards about the musical reasons why Ed Sheeran's hit is so catchy…
Admittedly, not the kind of thing I'd usually spend time on. I'm glad I did it, though. A good reminder that simple things can have a kind of elegance in their efficiency.
Click here to read the article.
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Admittedly, not the kind of thing I'd usually spend time on. I'm glad I did it, though. A good reminder that simple things can have a kind of elegance in their efficiency.
Click here to read the article.
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An Evening With Tony Visconti & Woody Woodmansey
02/02/18 13:29 Filed under: Event
Update - this event has now sold out!
***Tickets are now available for this, and they are limited! Come along - in addition to the talk, there will be a pop-up record shop, book signing and a cash bar. Could you imagine a better Friday night than this?
I've had a blast researching for this event, reading Tony and Woody's biographies as well as listening to The Man Who Sold The World A LOT (such hardship!).
Was pleased to see my face made it into Woody's book! That grey smudge is definitely Liz, Charly and I getting our Bowie jush...
https://www.eventbrite.co.uk/e/an-evening-with-tony-viscont…
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***Tickets are now available for this, and they are limited! Come along - in addition to the talk, there will be a pop-up record shop, book signing and a cash bar. Could you imagine a better Friday night than this?
I've had a blast researching for this event, reading Tony and Woody's biographies as well as listening to The Man Who Sold The World A LOT (such hardship!).
Was pleased to see my face made it into Woody's book! That grey smudge is definitely Liz, Charly and I getting our Bowie jush...
https://www.eventbrite.co.uk/e/an-evening-with-tony-viscont…
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Radio show: David Bowie's Sonic Sorcery
18/01/18 13:18 Filed under: Radio
This was fun, I was invited by my lovely friend Leon Clowes to join him on his radio show to play Bowie-related music and chat about my favourite artist. How could I resist? You can listen again to the program below.
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Stationary Travels: 2017 in review
03/01/18 13:17 Filed under: Press/Reviews
Another great 2017 roundup review, and once again I notice what legendary company I'm keeping on these lists. I'm so pleased! Thank you Stationary Travels!
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